Facts  deliberately overshadowed  by the Establishment
who intervenes in human activities to manipulate
the integrity of informations

Gweneth Vidler-Dulles     -Link-

President of the Foundation France Great Britain, Delegate of British Chamber of Commerce London 1989. In London, she introduces Yatridès in great Private Collections that put his paintings in the first rank of their collection.The ostracism, by french establishment, practiced on important YATRIDES works auctions, unregistered, determined fake and copies ; 121 in 2008 found even on the Internet, in auctions and sales directories, sales not recognized by the IRS. Case investigated by the Public Prosecutor followed by OCBC (Central Office of Fraud of Cultural Property). In response to this situation, preeminent Collectors conduct their transactions at the Chamber of Commerce Franco-British where selling prices are records officially licensedopposed to the unusual auctions if not dubious, not recognized by the IRS (The Internal Revenue Service-Tax Authorities). « Dear Master, (...) a Foundation around your work could be of great help: in your painting there is a timeless light close to the Faith and Science. prominent private collections which I sold your paintings, wish  it ».  Gweneth Vidler-Dulles had already made this proposal several times;  but Yatridès could not engage more further than he did with his painting,  graphics experiences that led him to undertake his personal research on light at  the CEA (AEC French atomic energy commission) early 70.. YATRIDES sometimes quoted this phrase which emphasized that his time was taken by solitude necessary for his research :  « The line is the source of all sciences, since the notes you write,  letters,  signs, symbols essential physics, those of mathematics, architecture and more. The scale of creative thinking is a leading design created by a graphic line, which each movement - straight lines, angular, broken, the multitude of curves, from that of a circle segment, the homographic, cycloidal, parabolic, among the hundreds of them - every movement is one of the links in this scale, the gradual evolution of the design, which leads to the desired level. I much prefers the word "through" instead link, connecting through two uprights. Vigorous  "step", which brings me to the "Heaviside Function Step" and "Distribution of Paul DIRAC.  I remain convinced that the man said of science, who can visualize a physical phenomenon in 3-dimensional space, and only attempt to reproduce on a flat surface, can not clearly conceive the workings of this phenomenon analyzed. I remain convinced that the man said of science, which can not visualize a physical phenomenon in 3-dimensional space, before try to reproduce it on a flat surface, can not clearly conceive the workings of this phenomenon. Mathematical symbols, format the Physics, which precedes mathematics . Mathematics can not claim to invent a phenomenon. This is unfortunately what happens today, diverting students from a science practiced only by great large company Engineers, which should be awarded the Nobel Prize". YATRIDES.

YATRIDES distinguishes the design compared to graphics ; the drawing is the successful image and the graphic line is the route used to achieve it. He stresses that at this level, it no longer playing, we create. A small piece of this route concludes or brings nothing.  At that yet very clear definition, the time taken by his interlocutors to meet, allows him to take its own time, that of its solitude, necessary for his research..

Today, to provide fans shaped by an appropriate media, artists are pushed to paint fragments of their 'talent', fragments quickly drafted to provide the number of educated amateurs in this sense, for this type of transaction. The higher the number is,  the more it is profitable for originators of this "market". But here, one should not pretend to give access to these gullible or unsuspecting honest amateurs, to secure their money.  To acquire these "objects" which they consider an investment "art" reliable, they can then sell off their own property, hard won.

President of the Foundation FRANCE GREAT BRITAIN, Delegate of British Chamber of Commerce London 1989. She made known YATRIDES the preeminent collections of London. Facing ostracism practiced in France on strong sales of the works of Yatridès the Private Collections carry out their transactions in the records CHAMBER OF COMMERCE FRANCO-BRITISH.

Christie's   -Link-

CHRISTIE's sale to which Gweneth VIDLER-DULLES attends. In the catalog presentation/sales of Christie's, are very rare comments, if not absent. However, this is done to YATRIDES: " Yatrides was Born in France in 1931 and is a major exponent of the Graphic School he Developed between 1948-1952 and includes exponents such as Bernard Buffet" (Christie's Great Rooms, London, Tuesday 22 March 1983 at 2.30 pm.) The sales record, was that of YATRIDES painting "The other shore"; best selling among the works of Leonor FINI, Maurice VLAMINCK, Bernard BUFFET, Jules PASCIN, André MASSON. « This confirms what had been defined by Gregory Juarez in Palm Beach in 1963: it was never enough Yatrides’ paintings for collectors who had already acquired his works ». Again, Gweneth Vidler Dulles wants to protect his work through an organization « Dear Master and Friend, I return to my letter of November 1981 regarding the YATRIDES Foundation. I enclose the list of Collectors that I sold your work (...) including Lord GLENTANAR, the Honourable Mrs Lotti ADAMS, the Lady Marioth HAY, Scottish with all beautiful works in their homes. John FOSTER DULLES State Minister and Mrs. Ida HARRISON DULLEs, Lord Tristan  GAREL JONES Member British Parllament and his wife, Bazel BUTLER British Petroleum AG Duran, Hans von MELLENTHIN, Arve HEGGEM who really love your painting since 1968 and even before, and could be the pillars of your foundation, not to mention very Richard H. MICHELIN introduced the world to automobile et Mr. SLATER (Rolls-Royce) and Sons. Are you convinced? Think about it. All the best sincerely » June 14, 1990 Gweneth VIDLER-DULLES, (MBE) Member Bristish Empire. Despite the warm ties that bound him to Gweneth Dulles, Yatridès in its position will not accept. He wanted to stay in the background of his painting. "Let us talk about it, and to be left alone to work" (sic Yatrides).

Jacques Lourthioux   -Link-

President of  "YATRIDES AND HIS CENTURY; recognized organization, the Bureau consists of Vice Presidents Officials members, including the Director of Public Protection and Tax Director. Their friendship will faultless

Jean-Claude Cavaille   -Link-

Senior Inspector, Inspectorate of the Tax Administration :  "YATRIDES draws inspiration from a vast culture that embraces the human adventure of archeology oldest to the most advanced science". The same technique combines the teaching of the great masters of the Renaissance to the discoveries of molecular chemistry which he himself participated in his research at Nuclear Research Cente CENG - AEC French Atomic Energy Commission(cf. § 22-paragraph 3). "YATRIDES is in the line of the great masters. It is the quality: at the top, and the message proclaimed in front of the pictorial art of our time"  (Conclusion Paragraph 4). " The contract with SE Johnson (International Galleries) Yatrides reserved the entire production at the gallery in 1957. The ownership of all his works, about 400 paintings, has completely escaped him. "Fiscal assessments V.A.S.F.E. (Thorough checks of the overall tax position: 3938 B (1977-1981) and 3953 (1981-1985) Jean-Claude Cavaille Senior Inspector, Inspectorate of the Tax Administration - Comprehensive Audit of whole Fiscal Situation, General Tax Department (VASFE 3839 B, 3953 confirmation). Georges 

YATRIDES’ note : " A different interpretation of our exclusive contract and my personal situation forced me to carry out only Gouaches water in monochrome majority or 2 colors and some "tempera" with resin binders, shipped to International Galleries Chicago, Illinois, betrween 1955 and 1967 all of these works mounted on stretcher. My oils performed before and after the contract,  as well as several "Tempera" from 1968 to 1972; remained in Europe ".Georges YATRIDES

Ingrid Schulte-Vilain   -Link-

From Heessen to London. Close to YATRIDES. She spends 6 months a year in Hollywood. His contacts on site include Miles Millar friend. She led in France a major art gallery on the French Riviera which put her in relation with Herbert von KARAJAN, Alain DELON, Brigitte BARDOT, Michèle MORGAN and Gerard OURY Among the exhibited artists: Dunoyer de SEGONZAC, David HAMILTON, Man RAY. She presents YATRIDES at the Tate Gallery London. Yatridès must leave 2 works for exhibition. « I leave nothing if I am not paid » (Sic Yatridès) Ingrid Schulte (1975). During that same year, Christie's sold one of his paintings, "The other shore" £ 40,000, the auction record. Later in 2009, Ingrid Heessen receives a letter from his friend Miles Millar Director: «Yatridès is the apotheosis of a Master in terms of artistry and his technique evokes the virtuosity of Ernst, Dali and Chagall. His body of work is ethereal, not only aesthetically but in his innate ability to harness the metaphysical aspects of our nature. I look forward to seeing you in Los Angeles come springtime ».  Miles MILLAR February 17, 2009 in Los Angeles. YATRIDES appreciate the authenticity of the feelings of this great director, fervent of his work as a painter. But regrets it can not accept the interpretation of its existence by the financial-producers who are presented. This program, refused by YATRIDES, had taken shape, while Miles MILLAR was finishing his last program. YATRIDES had lived with Marcel CARNE and Jean DELANNOY, similar situations that had shocked him.  “An uncompromising painter, pure and hard" title on the first page of the Dauphiné Libéré France and in."Yatrides arts" Bruno ROCHE Canada.

Miles Millar   -Link-

With his partner Al GOUGH are prolific writers/producers. Their feature credits include the action-adventure “The Mummy: Tomb of the Dragon Emperor“, for director Rob COHEN, the hit action-comedy “Shanghai Noon“, starring Jackie CHAN, Owen WILSON and Lucy LIU, as well as its sequel “Shanghai Knights“, directed by David DOBKIN, “Spider-Man 2“, starring Toby MAGUIRE, Herbie: Fully Loaded, starring  LINDSAY LOHAN, “Lethal Weapon 4 “, starring Mel GIBSON and Danny GLOVER and the recent I “Am Number Four“, produced by Michael BAY.
MILLAR and GOUGH's work also spans the world of television; the duo created and served as executive producers of the critically acclaimed action-adventure series “Smallville“. It is the longest-running comic book-based television series of all time, and was the No. 1 show in the history of the WB Television Network. They produced “Hannah Montana“: The Movie, based on the smash hit Disney Channel Series, starring teen phenom Miley Cyrus. The feature marked the first for the duo's Walt Disney-based production company, Millar Gough Ink. While Miles MILLAR finished his last film in progress, one that suited the French producers informed the attractiveness of Millar for Yatridès, did not fit the story of his life and moreYatridès did not follow the line of fashion, imposed by producers financiers. YATRIDES had already experienced such situations, with Marcel CARNE and Jean DELANNOY, which  had disappointed prompting him to refuse the proposals of his friends, notably Jean DELANNOY near of YATRIDES.  

« The power of Yatridès' vision is everlasting and I would want to see a film on the subject given its proper due (...) He is an absolute in the incessant redefining and evolving anatomy of contemporary art (...) It was humbling to immerge myself in such transcendent imagery and substance. Georges Yatrides work is awe-inspiring and rightfully deserves the position it will take in our collective history, "he is a true craftsman of the intangible"…"One's again, I sincerely thank you for considering me such a remarkable endeavour ». Miles  MILLAR Los Angeles, 2009. What was an final problem was the script that suited to interested producers of the East  but did not fit the history of its existence, including the choice of actors. While Miles MILLAR finished its own current program, YATRIDES  abandoned the project.

John Vilain   -Link-

« The letter from Miles MILLARis dithyrambic without exaggeration; it really is to your glory. I stress to you that, similarly, Ingrid deeply love your work. Regarding investors for 2 films planned; the script reference book was given to Barclays Bank who was waiting for, with whom Ingrid had numerous interviews. For the rest, it is in contact with Karl Baker, Finance Entertainment & Production-5075 Highborn Lane NE, Centerville, Virginia 20120. I remind you that our daughter Dounia is Vice Chair of the Department of a major TV channels Statistics (CWT, formerly Warner Bros). Apart from the extensive work that has been done, back off right now for Ingrid would be a great discouragement. It is unfortunate that, for systematic objections, all these projects fall by the wayside ».  John Vilain July 28, 2008. Yatridès asked to simply refer to the reasons that have so far determined its position.

Here is the translation of the letter from Miles MILLAR sent to french officials of the financement. Voici la traduction de la lettre de Miles Millar envoyé aux fonctionnaires français du financement, traduction : « la puissance de la vision de Yatridès est éternelle et je veux voir un film sur le sujet, en tenant compte de la valeur due (...) Il est un absolu dans la redéfinition constante et l'évolution de l'anatomie de l'art contemporain (.. .) Ce fut une leçon d'humilité de me plonger dans ces images, forme et fond transcendante. Le travail de Georges Yatridès est impressionnant et mérite la position qu'il prendra dans notre histoire collective à juste titre, il est un véritable artisan de l'immatériel. (...) Je vous remercie sincèrement de me considérer pour un tel projet remarquable ». Miles Millar, Los Angeles 2009.

Brendan Turrill   -Link-

Original screenplays : “The Mikako conflict”, “Sarah 88”, “Paris Rising” - Adapted screeplays :  “Deathwatch”, “Gamble Lucky”, “Norvegian Wood. «  After doing research and reading the book “Yatrides-the Master of Time”, I instantly fell in love with Yatrides' body of work. His painting fascinates me on both a visceral and intellectual level. I was somewhat surprised, to discover he has not reached the height of his fame in his own country, France (…) he has just as unique and individual of a voice as Dali or Picasso had in their time. Why? I think perhaps this is a question the film could probe. I'd like to build Yatrides up one of the most meaningful genius painters of the 20th century. At the end of the 20th century, humanity's rate of change had spiralled exponentially. The closer we got to the years 2000, the faster technology advanced and looking back at the days behind us, the more it felt like we were making leaps from cavemen to astronauts every day. I feel Yatrides' painting explore the dilemma. In his paintings he shows us the past, the present, the future and beyond into the unknown; much like Stanley Kubrick tried to do in his film 2001: a space odyssey. It has been speculated that the black obelisk, the central mysterious element of Kubrick's historically significant film, was based on Yatrides' series of paintings »  Brendan Turrill Los Angeles 0ctober 29 2008.

Brendan TURRILL offers a feature with renowned actors. The Union Bank of Switzerland does not understand the position of Yatridès, who wishes the rigor of Brendan TURRILL script is maintained. For financial investors, is discussed to use different sequences of YATRIDES tumultuous long  life :  painting, research at CEA (French Atomic Energy Commission), mountain-climbing in the Alps, its adventures in the Eastern  Mexico, auto racing, his travels, the importance of women in his work, his refusals - able to be used in several films ; suites somehow.  YATRIDES cannot accept several contracts, of which he does not know the time required to complete each of them, and in addition to all of these contracts with unforeseen contingencies. Freedom of his time being involved, he refused.

Gilbert Arnaud   -Link-

Computer expert, independent publisher; Director of several sites on the work Yatrides "Yatridès Universe", "authentic Yatridès", "Yatridès gallery", "Yatridès biography events" among many other independant publishers of sites about YATRIDES work, which consist only of reference, without personal judgment, various issues, dictionaries, biographies that focus on the authenticity of the YATRIDES work.  His extensive experience in the binary for twelve years in the IT departments of Air France as a informatics specialist allows Gilbert ARNAUD to enter the expression of the semiotics of YATRIDES codes, which make the difference between drawing / image and design / graphics, which embodies its desire to control his objectives, of which in art :  mastery of time, past, present and future, extrapolated on a same plane pictorial surface  ( Alla BAUER, Alexander Sacha BOURMEYSTER)

The experience provided to ALUTEC, ARES Protection and remote maintenance. Its missions of Manager network and communications for EDF(Saint-Denis and Site of Tricastin), HENKEL FRANCE, Conseil Général du Puyde Dôme and French Football Federation, Sté DRAGOCO, Sté BEISSIER, IDSROGERS, and AIR FRANCE 76 to 90 years: towards Telecoms and computerService of nineties studies. Study and development of new telecom products applied to the private network AIR FRANCE Terminal Emulation, programmer/analyst in several developments of management applications.IBM 3090 in Cobol, PL1, ASM programming, fortran (analysis method Vance).Installation and repair of modems / multiplexers (MIC) hubs of lines /terminals teletype / phones / intercoms / monitors T.V. video network. Thisexperience allows him to discover events, which some concealed which hadappeared insignificant YATRIDÈS, while they put his work ahead of pictorialcreation.

Peter Tarnoff   -Link-

US President in Europe for Scientific Development (Geneva) US State Department Director, Office of Research & Analysis, Western Europe1975-1976 - USA Government, President Council on Foreign Relations 1986-1993- etc.) devoted GeorgeYATRIDES friend, he asks RTL (Radio Television Luxembourg) to move to Paris. Vehicles and trailers/RTL cameras invade the “rue de Verneuil”, the street in which lives Alain DELON, to film the works of YATRIDES exhibited in the art gallery of Jean Charles LIGNEL, director of the daily "Progres de Lyon" . RTL  blocks for 35 minutes the "rue de Verneuil". YATRIDES had accepted this action of  Peter TARNOFF, although LIGNEL personality is opposed to his conceptions. By the end of this exhibition, he will break the contract of Jean-Charles LIGNEL. He could not agree with the character of LIGNEL.

Arthur Conte   -Link-

Historian, Minister, CEO of initial TV channels of the ORTF, President of the Western European Union (1960-1963). He collaborates at Quotidien de Paris, Paris Match, Le Figaro, literary news at France-Soir and Jours de France. Supporter of Georges Pompidou, he became president of the ORTF initial FrenchTV channels and entrusts Marc Gilbert, the management of Italics, which recruits Ennio Morricone and Jean-Michel Folon for Générique6. It is also producer for the FR3 television series Histoires de France.

His book "Yatridès master of time” : « Dear George, I absolutely confirm to you that I have wrote this for to you only to honor our friendship and your genius. I have offered to you unconditionally. May this text simply increase the knowledge of the great artist that you are » Arthur Conte June 14, 1986) (...) « Yatridès? An artist of genius ; creator of time and space. (...) In his art, who knows what designate more powerful (...) each painting both thumbnail and Cathedral (...) this magician has combined all the shadows and the lights of his hikes,  to Delphi and from Delphi to Congos, from Grenoble to Mexico, from Los Angeles to the most evil cities. Moreover, as the truly great, it is unclassifiable. It can not be likened nor to school or to church, or to a river :  there will never be only one Yatridès, that never define that as "Yatridès". Thus, in full civilization masses and fatalism, he maintains, in turn, the pride and nobility of this increasingly rare :  the only man alone in his solitude, but as far in true and intense communion with the deepest humanity. But deep in himself, that YATRIDES want? He does not play, he will…« And what does he want? He wants the human adventure. In each canvas he intended to include all the epopee of humanity. He spent long periods in Germany and in England mainly to make contact with the greatest scientists and laboratories, about white light and its constituent colors. Subject: understanding the structure of time, out and beyond  ''accepted standards''. It is as much scientist that he is an artist. He discussed at length hours with a friend of his second father, Jean LEYMARIE curator of the Museum of Grenoble, who helped Yatrides, in eminent art historian, to understand better himself, understand the ways that he borrowed ».. Arthur CONTE "Yatridès Master of Time" 1992.

Jean Leymarie   -Link-

Professor of Greek, art historian, close to René HUYGHE, Jean LEYMARIE curator of the Museum of Grenoble (1950-1956), Director of the Musée National d'Art Moderne (1968-1973), Director of studies at the École du LOUVRE, and finally Director of the ACADEMIE de FRANCE  in Rome (1978). Louis PANIER Consul of France, second father of Georges YATRIDES, presents him to Jean LEYMARIE  to check if what he painted was commensurate with its provisions for science

YATRIDES is 19 years old and shows his first canvases, periods Fauvist and Abstract from 1945-1948. Leymarie located the paintings of the first of these 2 periods in line with the Soutine. He follows and observes YATRIDES' work during the years of his duties at the museum, the adventure is painting YATRIDES. LEYMARIE realizes the magnitude of his bold ambition :  to leave the abstract school, back to Matisse, the inventor of man decorative object and find the true route that would meet the fundamental issues of human finitude.The posed challenge is to find what the previous successive painting schools were unable to conceive. This requires not to follow the path of the work already accomplished by those who, under the leadership of their merchants, accept obedience to a passing fad, fast fashion. The ambition of YATRIDES is to reveal a new dimension which encompasses the past and the futureThe mastery of time. LEYMARIE does not oppose this fanciful, foolish project. YATRIDES will perform it after its searches to ECA (CEA French Atomic Energy Commission); 15 years later in 1972 ; new properties of the light emitted by a solid body incandescent and its extensions in many disciplines. It extrapolates artistically on a flat surface, a painting, some of his experiences accomplished in CEA ; they reveal new properties of light. Its design is capable to create volumes, without artifice, with its line only, "solely  with its line". The set of all sciences resides in the use of the line, which is their source, notably : writing, architecture, physics, mathematics, everything that man can express or explore. ("Master Yatridès of time", Arthur CONTE 1992) - professor Alexander Sacha BOURMEYSTER Semiotician.

André Reidberger   -Link-

At the special sale in Paris December 12, 1983 a YATRIDES oil for the benefit of children with muscular dystrophy of  POLAND; auction organized by the ROTARY Clubs Services and LYONS, auction directed by Mr. Cornette de Saint-Cyr auctioneer, zero-rated by Jacques DELORS European Deputy (MEP) Minister of Economy and Finance, Minister of the Fifth Republic. René HUYGHE is guest of honor. André REIDBERGER  Governor of Rotary International: « (...) I see tonight, you are very numerous to have responded to my call for Rotarians and of course to that of Governor Bernard LEROY for Lion's club. I thank you for this noble cause was worth the trouble of being backed by your friendly presence. I thank all the individuals who were willing to join us, especially Mr. Arthur CONTE,  ORENGO,  Alexander BOURMEYSTER,  the great actress Alice SAPRITCH, . Robert GUIDET Tax Inspector. And I must apologize René HUYGHE of the French Academy who deeply regret not having been able to join us, retained by his travelling ». Six years later, René HUYGHE goes XVIIIth Montmorency Show in January 1989, where he hopes to meet Yatridès and can finally see close his paintings that was talking to him Jean LEYMARIE, long before 1983 and more recently. Faced with the work of YATRIDES, his  analysis  defines YATRIDES’ work as "the synthesis of the Painting".  René HUYGHE Curator of  le Louvre,  French Academy Member.

Georges Arnone   -Link-

Deputy Mayor for Culture of the City of Montmorency  « Yatridès, a light coming from elsewhere of which we do not find the source, the trait in itself, surprising line which projects the image in other spaces, a contraction of the time ». Georges Arnone creates and organizes Montmorency Salons 1974-1995, notably three of them in which Yatridès was invited to participate : Yatrides' works are exhibited at the Eleventh, the Thirteenth and Eighteenth Salons. At the XIth Salon he as the Grand Prize of the City of Montmorency (08-22 November 1981); in the XIII th Salon its solo Exhibition (13-27 November 1983) was presented in a prestigious catalog with many reproductions. Finally, Guest back to expose in the XVIII th Salon (14-29 January 1989) with 2 of his oils "Nude on a Horizon" (1978) and "The culmination of the laws" (1983), XVIII th Salon which  commemorates its previous exhibitions as Guest of Honor and Grand Prix. René HUYGHE to whom Georges ARNONE will report that YATRIDES will appear to the eighteenth Salon, he will come there in January 1989 hoping to meet YATRIDES and his work; finally he sees close his paintings of which had spoken Jean Leymarie, long before 1983 date on which, Reidberger invited René Huyghe to attend the auction of a painting by YATRIDES for Polish and Russian children with muscular dystrophy. In the eighteenth Montmorency Salon 1989, remaining a long time to contemplate the works of YATRIDES, the analysis of HUYGHE is impressive: « YATRIDES work is The synthesis of the Painting ». Yatridès did not attend this event as many others which sublimated his work as a painter. The painting was only part of him. 

This reminds the International Biennials 1987, 1988-1991, 1991-1993 in Canada, where he does not appear, while he was Great master guest and Main master guest, of all of them. This unwillingness to lend his time to other subjects, as those of his researches, is not understood by those who admire his work.

René Huyghe   -Link-

Art historian, curator of the Museum of LOUVRE psychologist and philosopher of art, professor at the Ecole du Louvre, Rene Huyghe go in the eighteenth Montmorency Show (14-29 January 1989), where it is expected. Before this third Montmorency Salon which he has been invited several times YATRIDES was Grand Prize of the City of Montmorency in the XI Salon (8-22 November 1981) and a solo exhibition at the prestigious Salon XIII (13-27 November 1983) and finally, this eighteenth lounge (14-29 January 1989) which exposes two of his oil "Nude on a horizon" (1978) and "the culmination of the laws" (1983). René Huyghe went to eighteenth Salon where it is expected, where it will finally see YATRIDES, he could not meet, invited by REIDBERGER six years before. : At the inauguration of the opening, René Huyghe made a speech in which he thanked his friend Georges ARNONE to have warned of the presence of YATRIDES at Montmorency, but this one is missing. During its speech HUYGHE said :  

« YATRIDES is the only one that attracts and retains the attention. Georges ARNONE had defined this Contraction of Time, the light from outside paint. Jean LEYMARIE, was interested in YATRIDES in this new adventure of painting. I note that the content and form are bound by an unparalleled technique. Another graphical mode which lends itself to a tangible synthesis of painting. There is another thing which should be deepened » René HUYGHE, Curator of the Louvre Museum, Montmorency, (January 1989) alongside Claude and Georges ARNONE, Deputy Mayor for Culture of the city of Montmorency

René HUYGHE talks about the "Synthesis" conducted by YATRIDES referring to his various periods in which its early periods, Fauvist 1945-1948 and Abstract 1948-1951,  and later to achieve "The culmination of the laws" (1983) of his period named "Apodictic", from Greek "appropriate, proper  to convince", which is said of a judgment or a demonstration characterized by logical necessity and universality. Apodictic period presents a " world without referring to the known world ", very definition of the abstract"  but where man appears and reappears in the creation of which he had been excluded, due to lack of capability to express graphically, out of conventional Classicism and/or Surrealism opportunities ; what had regretted  Jean CLAIR whose real name is Gerard Regnier,  Director of  “Musée de l'ORANGERIE”, Director of  “Musée d’ART MODERNE, Director of GRAPHIC ART  POMPIDOU CENTRE, General Curator of “PATRIMOINE”,  Director of “PICASSO Museum, Director of VENICE BIENNIAL.

Marcel Carné   -Link-

Great  French Film-maker offered a feature film with great actors. Paul Quintard his manager: « My Dear George, I ask you to tell me when you can (...) work with Henri François Rey (Mechanical Piano ..The masked Horses ... etc.) François REY as a screenwriter and dialogue writer for ( ...) a prestigious film about the world, the environment of the painting around YATRIDES life, the man and his work; film directed by Marcel CARNE. Let us recall that at the Elysee Palace, a few weeks ago, the Legion of Honour Commander's Cross was awarded to him by the President François MITTERAND, in front of all gathered personalities :  "Marcel Carné French greatest  filmmaker of all time. (...) It is undeniable that the film is expected to be international for (...) grouping several stars including Anthony QUINN in the role of Yatridès Father,  Fernando REY, among them ».  (Jacques QUINTARD January 14, 1986). YATRIDES in his situation, has the obligation not to respond favorably, his work is out of place in the film proposed by Jacques Quintard and Marcel Carné, such that it is corrected by investors producers.

Jean Delannoy   -Link-

Famous director and friend of YATRIDES :  «;The more I consider the exceptional quality of your work, the more I am convinced that this can result in a fine film based on both the originality of your work and elements of your own life. So I decided to undertake this film that will be for me as the consecration of my long career ». (Jean DELANNOY  October 24, 1987) (...) « Dear George  I hope this official letter (...) without throwing any light on the sincerity of my intentions and deep joy I feel to find the subject of a great story about your work and yourself. Each new day at your touch in the middle of the bewitchment of your paintings and mingled  to your basic essential research, always brings me more joy and enthusiasm (...). Bon voyage dear George, in the land of the rising sun. My dusk gets a new dawn. » Jean DELANNOY, 19 November 1987. Faced "intolerable manipulation of financial partners" (sic Yatridès), despite the profound esteem he had for Jean Delannoy, he could not accept the feature hoped by this great friend passionate filmmaker. He will make this proposal several times.

Armand Drouant   -Link-

Renown Director of Gallery DROUANT-DAVID Paris, rue du Faubourg Saint-Honoré, Paris. He is the first personnage in Paris who discovers YATRIDES. In 1954, Florence POZZO di BORG his young wife, from a large family of Dukes who, on the advice of a family member, his cousin Janine CHARRAT prima ballerina, contacts Armand DROUANT. It will meet YATRIDES in Villefranche sur mer in his villa Massouri. The passing days spontaneous agreement of the two men becomes a profound esteem that will bind a long time. He asked George YATRIDES fifty works, that it will bring him to the Drouant-David Gallery rue du Faubourg Saint-Honoré Wednesday, December 7, 1955, 18 hours. DROUANT back from his trip to the US is late. DAVID his partner, front of the YATRIDES paintings, he asks him not to use his design engraved in the pictorial material, groove that runs through all layers of paint : " It's impressive, but there is already a graphic designer in the Gallery, Bernard BUFFET ". He suggested him to change technique and shows him, back store, some painters "with interesting techniques, but which have no hope of ever appear. Georges YATRIDES,  prefers to meet DROUANT and takes over his paintings, having a look for exposed Buffet paintings whose design consists of a bead made with a pastry instrument; bead which surrounded and structured repetitive angles, which were consolidating its rather awkward images.

YATRIDES made a good decision, despite the recent friendship with DROUANT. In fact, DAVID, businessman from notarial training; rich partner that helped to create DROUANT-DAVID Gallery in 1942, was influencing the conception and development of the work of painters when they were docile, ambitious or in distress. Conditions that do not meet YATRIDES

David   -Link-

At first, the DROUANT-DAVID Gallery exhibited the paintings of Bernard BUFFET, while the VISCONTI Gallery exhibited the works on paper. Why this choice? Soon, when Emmanuel DAVID made this contract with Bernard Buffet, Armand DROUANT did not like his painting. That annoyed much Bernard Buffet. So DAVID asked Maurice GARNIER if he accepted to share the contract. He approved the proposal. Some asked Maurice GARNIER : "Did you intervene in the selection or the orientation of his creations ?" ..."No not at all! However, it happened twice that suggested topics are exploited. The first time for "Don Quixote". Yann le Pichon, author of an important book on the artist, spoke of this theme in his presence. At the time, Bernard Buffet was not at all interested, but three years later ... The second time, I suggested to the exposure of "Monkeys", one of the last, which was pretty amazing ". Maurice GARNIER Visconti Gallery.

Interview November 2002 by Christopher Bertaux for the magazine "11, rue Royale". Bertaux asked:
"Two capitals meetings have marked your professional life. The first is with Emmanuel David. Could you evoke?"...
"I have known him in 1945, just at the end of the war. He had a picture gallery, 52, rue du Faubourg Saint-Honoré. It was a very active dealer and he gave me the urge to do this job. I really learned everything thanks to Emmanuel David. I owe him my situation". Bernard BUFFET, Paris 2002 November 26

Jacques Chirac   -Link-

Mayor of Paris, later President of the Republic, is sponsoring  "Les cimaises du ciel" (Rails of the sky) to the Sacré-cœur of Montmartre, June 10-September 1, 1981, where 3 Crypts are attributed to Yatridès for his work, exhibition where Bernard Buffet participates with other artists. Endorsed by Jacques Chirac, that Yatridès had met during a meal at the same table in Grenoble. Monsignor Maxime Charles continued to exhibit the works of Yatridès after the end of the exhibition. In addition some of his work exhibited in the crypts, is moved in the nave of the cathedral, to be exposed**, including its stained glass "The Battle of Jacob with the angel."

Lady Chastenet de Gery   -Link-

Director of Vowels Gallery, Montmartre, which organizes in Paris in 1956 the first solo exhibition of Yatridès. There he will be discovered by the pre-eminent Parisian critics :  BETHANCOURT, CHABANON, Pierre MORNAND, Helios IloTRABUJO, Anton URRUTIA b A great collector  was interested and warned Samuel-E. JOHNSON,  International Galleries, Chicago. YATRIDES remained 17 years under contract with Samuel; he will break the contract, on its own initiative. He left the gallery in 1972 to return to its fundamental scientific research. Yatrides coukd not forget Mrs. Chastanet who opened  his gallery, removed the paintings of an artist, to hang his own paintings

Henri Linard   -Link-

Restorer, Member of the restoration workshop of paintings from the LOUVRE Museum, is a privileged relationship. Their meetings and letters are numerous; dealing with means which allow the paint to withstand the time and its years. He is interested in the technical of YATRIDES work, notably the thixotropic he had used for his first 2 periods; Fauvist and Abstract. Similarly  for its interest for  periods that result in mastering an intrinsic light, without interference from  uncontrolled colors, its independent graphics  that creates volumes without using conventional contrasts or shadow.

James Crowley   -Link-

Renowned Physicist, Doctor in Physics Mellon University Pittsburgh, for the CNRS (French National organization for scientific research) where he heads several research groups (Prima, Lig, Inria, Ensimag). Over the past 30 years it provides fundamental contribution in the navigation of autonomous mobile robots. He conceives a site that «  analyzes the work of YATRIDES and influence in science and also painting with other artists including Stanley KUBRICK' that uses the  YATRIDES monolith Slab, cult object that determines the different sequences of the movie 2001: a space odyssey ».

Pierre Pasleau de Charnay   -Link-

From May 17, 1989, His Serene Highness Minister of the Sovereign Military Order of Saint John of Jerusalem, informs YATRIDES that is named "Knight Commander of Justice" of the Order of Malta, after acceptance of the Prioral Council. Yatridès in his situation will not accept this honor and refused "equestrian armament and liturgical knighting" conferred, according to the rites of the Grand Priory.

Paul Perroud CEA  -Link-   

Preamble: before HAU and BOYD, had been shown in a "Flint glass" containing lead (crystal glass), the speed of each of all the colors that constitute the white color spectrum (299 722 458 m / s), is specifically reduced. The speed of the color red is reduced to: 1,854 x 108 m / s (185 400 000 m / s). The blue color: 1,835 x 108 m / s (183 500 000 m / s) slower - It is well known that the blue color is, however, faster than the red color.
Paul PERROUD Director of Special Applications of Physics - AEC (CEA French Atomic Energy Commission ) in 1970 will provide YATRIDES, staff and laboratories in which he discovers new properties of light emitted by an incandescent solid body. In agreement with SEITA (French government monopoly tobacco and matches), tobacco is selected  because of its some 5,000 components mainly hydrocarbons. For the needs of the experiment, the tobacco is in the form of cigarette ; its combustion chamber reaches 870 ° Celsius. From some components are starting to appear emanations of gas from their melting point and others before their boiling point;. The lead melting point is 327.462 °, its sublimation beginning from 590 °, boiling point 1.750 °. YATRIDES notes and drawings emphasize the influence of different colors of the incandescence of steel when heated gradually : from dark red to clear red, and yellows to white. 

AEC YATRIDES Experiments. The conditions, under which, the YATRIDES research has been carried : in the body of the cigarettes is inserted a steel tube  brought to incandescence at 680 °  when the tobacco combustion chamber is highly crossed by air to reach more than 850°. The radiation of the incandescence passes through the vapor / gas substances and materials derived from the combustion / maximum temperature of the tobacco. When the tobacco is no longer supercharged with air and its temperature drops sharply, steel  remains incandescent a longer time during which its temperature gradually decreases. The intensity of temperature and radiation disrupts different tobacco components including heavy metals such as Cadmium (321.07 ° melting, boiling point 767 °), Mercury (melting point 38,8290 °, boiling point 356.62 °) and Polonium (melting 254 °, first vapors 810 °, 962 ° boiling point). The radiation of the incandescence of steel and from the chamber of combustion of the tobacco, passes through the vapor / gas issued from this combustion. When the tobacco is no longer supercharged with air, its temperature drops suddenly ;  the steel temperature and its incandescence remain a longer time, during which its temperature gradually decreases and acts differently on the fumes in each of the temperature decreasing phase, indicated by each of the colors of the steel which loses heat :  from white to yellows, ornge and from clear red to dark red. 

YATRIDES's researches tend to show  that photons are not elementary packets of energy, or quanta of electromagnetic radiation which are exchanged between them, according to EINSTEIN. YATRIDES seeks to demonstrate that in a body of which coherence defines its 'personality', vibrations of each of its components are identical. But this does not prevent a vibration can be the "mother" of many waves, misidentified, which appear to belong to any nonexistent quantum system, advocated by its followers.

What appears to be an exchange of photons, is something elseIts notes and drawings show a 'Mother Wave' consists at least,  of one pair of waves, one wave turning in the direction of clockwise - persistence of the initial rotation of all elements - the other in the opposite direction left to right, forced rotation. This which leads to new events and their consequences. « This answers to many unsolved problems, but also the requirement to review several laws of physics as they were admitted. Notably, there is not disorder; recognize by facts that the organization of the matter is harmonious, concluding that a supreme intelligence or an exotic force has been able to create as coherent, rigorous laws. But the men do not like to think that there may be a higher intelligence to his abilities/faculties » (Sic Yatridès). His drawings, line being the source of all sciences, fascinates, creating volumes, without shade or shadow cast or easy contrasts, reveal exciting distant horizons as he demonstrated by performing the first and only standard geometric model that can exist (INPI deposits). « Some of my learned friends who sometimes use empty words (including black) and childish drawings to demonstrate their theories, justifying them by interposed ephemeral symbols from mathematics kneaded  tortured, enliven and enrich a press adapted »  (sic Yatridès).

Pierre LEDEZ   -Link-   

Introduction: With the elements that Peter LEDEZ Research Director Seita, sent him YATRIDES wants to demonstrate that in a body, "coherence defines his personality" all the vibrations it emits are identical but complex constitution. They to not exchange between themselves or with anything else; his notes and drawings show a  Mother wave produces a pair of waves, one turning in the direction of clockwise - persistence of the initial rotation of all elements - "the other in opposite directions, "forced rotation", by what forces, what or who " ?  Research YATRIDES tend to show that the photons are not elementary packets of energy, or quanta of electromagnetic radiation, which are exchanged, according to Einstein. What may have appeared to be exchanges between them is their complexity: his notes and drawings show a wave 'Mother' consists of a pair of waves, one turning in the direction of clockwise - persistence of the initial rotation of all elements - the other in the opposite direction forced rotation . "Which leads to major consequences of events that could not be revealed; but interest is to consider the existence of several pairs of waves created by the wave Mother "(sic Yatridès). YATRIDES notes and drawings in space, underline "the influence of different colors, matching the incandescent steel : Dark red, clear Red, Yellow and White. This answers many unresolved issues, but also the obligation to review several laws of physics so far admitted. Especially "recognize by the facts that the organization of the matter is harmonious ; conclude that a supreme intelligence or an alien force has been able to create by laws consistent, rigorous. But man does not like to think, that may be a higher intelligence to its own powers. 

Pierre LEDEZ Research Director SEITA (French Government Tobacco and Matches Monopoly) is interested in YATRIDES patents, granted in paricular the United States. Only reductions of hazardous elements Polonium, Plutonium, Cadmium, Nickel, Chromium, Lead, Methanol (Rocket fuel) including other carcinogens notably hydrocarbons, were examined for obtaining Patents 'claims granted all' on this one aspect supported by the CEA-CENG French Atomic Energy Commission. Less harmful cigarettes would increase their consumption. YATRIDES, can not go that way and refused this collaboration with Pierre LEDEZ and its financial aspect. The importance of the discovery of a light, yet unknown properties, has not been seen, not even by the Patent Office Whashington DC. The results were obtained when the furnace temperature reached 870 ° cigarette, at which temperature steel, is incandescence, from 680 °. But the interest was to identify events created when the tobacco cigarette burning was no longer sucked air, its temprérature is lowest, in no time, while that of steel kept longer its incandescence, provided various stages of slow decreasing temperatures of which actions were training solutions to problems that had not yet asked.

Paul Perroud ( II )  -Link-   

The words and synonyms, when they try to qualify an event chemical / physical resolved, whose original design resists intelligence or stupidity of men, cause hazy theoretical deductions that astray fundamental research. This requires quiet humility, to work away from groups that parasitize each other. They are myriads and often infantile. I want to be able to intervene when useful " Sic Yatrides.

Georges Yatridès, without disproving references that we find on his life, asks us to be given the opportunity  add other results and inferences, he has not made known so far. Our texts are purely consequential authentic references to the life of YATRIDÈS: we will take account of informations that he will provide us. We will check the source, what we have done so far. 

Paul PERROUD Director of Special Applications of Physics - CEA (CEA French Atomic Energy Commission) in 1970 will provide YATRIDES, staff and laboratories in which it discovers new properties of light emitted by an incandescent solid body. In agreement with Seita (French government monopoly tobacco and matches), tobacco is selected as cigarettes, because of its some 5,300 constituents found in its fumes. The cigarette combustion chamber reaches 870 ° Celsius sometimes more depending on environment and selected tobacco, up to 965 °. Some of its compounds are emerging gas fumes including lead fusion point 327.46°. Searches accomplished Yatridès :  means : in the body of the cigarette is inserted a stainless steel tube, specially developed for these tests. It is brought to incandescence when burning tobacco is supercharged in sucked air. The radiation of the incandescence passes through the vapor / gas substances and materials derived from the combustion / maximum temperature of the tobacco. When the tobacco is no longer supercharged air and its temperature drops abruptly, the steel remains incandescent a longer time during which its temperature gradually decreases. The intensity of the radiation and the temperature of the steel, differently disrupt a second time, the tobacco components including heavy metals such as Cadmium (321.07 ° melting, boiling 767 °), Mercury (-Fusion, boil 356 62 °) and Polonium (melting 254 °, 962 ° boiling).

As has been noted, "the research YATRIDES tend to show that the photons are not elementary packets of energy, or quanta of electromagnetic radiation that exchange, according to Einstein. What may have appeared to be their exchanges, is their complexity ; YATRIDES notes and drawings show a "photon wave mother consists at least of a pair of waves, one rotating in the direction of clockwise - remanence initial rotation of all elements - the other in the opposite direction, forced rotation, determining movement duality of autonomous energy, even if the source of the photon disappears ... "It can be maintained that in the absolute silence of the intangible infinite space, was in it, its opposite, a noise, "a tenuous sound" duality that will be transmitted during the development of all the elements". 

The sound being the first manifestation contains all values, which we achieve today and what we will do tomorrow..
In a way, the intimate cauldron of supreme intelligence, as opposed to its opposite boundless infinity. For perhaps reveal its existence and subsistence, the sound "decides" to issue all its constituents: the notes of this symphony that we have only modest means to include only some fragments. TRINH XUAN THUAN "The secret melody" (PhD in Astrophysics, Princeton University, USA) raises interesting questions.To survive in this nothingness without limits, the notes issued by the original sound containing all ranges begin in a state of stridency and their frictions arise in every note two units, duality, causing the first light, blue spark light. The effervescence of their duality, increased by their lightning speed, cause them to produce a temperature whose paroxysm causes the dislocation of their clusters, confined to a limited volumetric space, relative to the unlimited universe. Mastered this primal chaos, the elements will be born. Upon loss of temperature, hydrogen appears, and then its isotopes preparing the construction of the next element, and subsequent cooling, one by one all the elements until today.

According to what we have given him, Yatridès will intervene and submit shortly a provision that would deepen the base of our references on this subject.

Alexandre Bourmeyster   -Link-

Semiologist, dean University of Grenoble III. He wrote his book fundamenttal "Yatridès and his century anti-Picasso 1992;  in 1994 and  "YATRIDESmonoliths 1957-Kubrick 2001 : a  Space Odyssey 1968", "The painter of invisible reality" etc. « A painting that no longer corresponds to writing modes of figurative, impressionist, the fauvists, cubist or abstract. Painting Yatridès lends itself to another reading ».  XIIIth show at Salon Montmorency, Bourmeyster continuing its analysis : « (...) It is inimitable. His art is the result of scientific and technical conquest, a wealth of knowledge, hard-won,  a dazzling revelation of the pictorial possibilities in the twilight of the twentieth century. If he wears a religious issue, even mystical, it puts the man into midst of the pictorial space; the art of Yatridès does not mean the restoration of a classicism after decades of abstract art. It is the conquest of a new open space on both the past and the future, abolishing the time dimension and restoring the man, its right to ask the fundamental questions ». 'Bourmeyster, XIIIth  Montmorency Show, Edition November 1983. Before hydrogen,  initiator of all the elements, what kind of things existed ?: «The Universe does it has a beginning? What is its age? Elsewhere,  there was  thinking Beings ? Outside men? Is there a Supreme Being or "a whole original" coming from the nothingness? How the man in the brevity of its existence, its finitude, can he communicate with the infinite? The Monolith Yatridès plate is the answer to all these questions and many others, but indecipherable for those who do not see it ».  'Yatridès and his century- anti Picasso' Alexander 'Sasha' '' Bourmeyster, 1994.

Stanley Kubrick   -Link-

« (...) The YATRIDES Slab plates, axis, axial theme of the movie,  motor of the successive sequences of  KUBRICK and CLARKE  movie,  their "2001 a space odyssey"» (Arthur Conte,  "Yatridès master of time" 1992). The monolithic plate YATRIDES is revealed in his painting "The Death Maya" of 1951 and in 1957 Study "Compilation: eternity objective" as underlined by Christophe ODIN. It appears in all its fullness, since  1960, in the work of YATRIDES, as will be seen in 2001: a space odyssey, key of chain sequences of Kubrick's film :  « (...) Slab Yatrides, elusive, indecipherable, first is a presence, testimony: absolute knowledge.  This, it  is engraved on its surface, it is programmed in its path as the promise of a total revelation.  In 1968, KUBRICK will be taken from the plate YATRIDES the famous film 2001: A Space Odyssey» (Alexander Bourmeyster,1994) "The plate monolith Yatridès, universal carrier of Truth , is revealed here as one of its aspects. « (...) Later in the 1985 film by Peter Hyams "2010 Odyssey Two", the Plate monolith of Yatrides acquires its metaphysical dimensions in scale, which confirms the original meaning given by Yatrides :  The Monolith is the plate canvas of the universe, painting enclosing everything,  bears the cosmos since the beginning of time, including the paintings Yatridès has devoted to it ». Alexander Sacha Bourmeyster (2012); he radicalizes its analysis on the priority of  Yatrides'  plate  and that he more clearly opposes the inspiration of Yatridès to that of the film of Clarke - Kubrick :  '2001 a space odyssey.  BOURMEYSTER, in his exceptional study " The plate, the Bible and the Sphere", he puts light on Melancholia by Lars VON TRIER movie in which appears a YATRIDES  determining element of the scenario:  the Sphere, crucial  element that detrermines the  thriller " (Alexander 'Sasha' Bourmeyster, 2012). "Melancholia", cinematographic work, in which the sphere is the theme of the film, it is found in the same situations of several paintings of YATRIDES, 1983, reproduced in numerous catalogs, books and international events among which those of CANADA-FRANCE International Biennials 1987, 1988-1991 and 1991-1993 very important exhibitions with more than 1,000 works, including those of COCTEAU, MATISSE, CHAGALL, PICASSO etc; events during which YATRIDES was "Great Master Guest" and "Main Master Guest". It is the same on the paintings of YATRIDES from 1951 to 1963 that was used to CLARKE and Kubrick in 2001. Today, despite the ostracism of the French establishment with regard to Yatrides until now reveal and clearly show the 'borrowing' free shamelessly plagiarisms operated on his work. It is well understood that the sidelining of Yatrides works by the French establishment, this since the 80s, had damaging consequences. 

Lars Von Trier   -Link-

In  "The plate, the Bible and the Sphere" book 2012,  Bourmeyster recalls «... that a painting to another, the sphere of Yatridès, had grown and acquired an alarming light in "Vibration Essential Final Phase" 1981 oil ; the man in the painting, his face robs us "Yatridès terrified had he stopped painting after having experienced this revelation transcribed in the "final phase" of its painting?  Revelation is the exact translation of Apocalypse, painting Yatridès is apocalyptic and prophetic. I got the confirmation at "Festival de Cannes" for the Film projection Melancholia Lars Von Trier (...) sublime images cruel fresco and agonizing under the sign of Tarkovsky, the end of the world (...) the planet Melancholia, which irresistibly moving towards the earth as 30 years earlier on the canvas Yatridès, an unknown sphere was approaching a paralyzed painter (...) «The Yatridès Sphere would it inspired Lars Von Trier, like Kubrick did with his plate monolith. Everything leads us to believe »  Bourmeyster 2012. He worked for over ten years Figaro with his criticisms of Eastern Europe and the USSR films at Cannes; He is currently completing a book of memories and thoughts about the Festival. True to his promise, in December 2012 Bourmeyster offers Yatridès a "metaphor" of his destiny as painter. "The Third Faust" a tragedy in eight acts and 27 scenes. This book expects a publisher or director, that can admit Yatridès.

René Char   -Link-

Great French Poet: "Yatridès the painter outside the tumult « You mastered the uncommon time ». L'Isle sur la Sorgue (1975) .A high esteem will link the two creators temperaments yet very different. Yatridès really would have liked to be the master of time as wrote Arthur Conte and others. « If anyone was selling this time he was the brother, I do not would separate me». We lends these words Yatridès who often claimed that  « The best days of life are those experienced yesterday 'because the next day we still can not fly ».

Christian Gali   -Link-

Disciple of René Char he presents to Yatridès and accompanies their communion. «Albert Camus recognize that for the Greeks, beauty is at first ... thus he lived in America a time of exile that was neither imposed nor advised. In the rustle of the crowd in Chicago and New York, his secret garden is never threatened. Yatridès who promised to serve the truth, take an oath to life. The sun rises on the battle of theworkshop. Captive, the ultra nourishing light turns the picture that Yatridès signs, to be delivered doubts. Yatrides provides answers to questions that have not yet been asked or thought. Intuition, what do you want to offer the knowledge. A swarm of convictions, assails Yatrides. To reassure it makes the painting a respected site, pride and nobility of the artist who is risen! »  Christian Galli 1975.

Jacques Charpentier   -Link-

Great french composer, wrote in Buenos Aires a String Quartet "prelude for the elsewhere" (1984), as a tribute to the work of Georges Yatridès "The new reels", painting/oil sold at auction by Me Pierre Cornette de Saint-Cyr, the benefits of the myopathic children, especially Poland.

Gustave Hodebert   -Link-

French Academy Award, Auguste Capdeville

Samuel E. Johnson   -Link-

Johnson International Galleries' Director, Chicago Illinois USA exposes Yatridès. The success was immediate and spread to other countries including England and Switzerland. Then "Great Contemporary Masters" (1959) "Drawings and Watercolors of the French School" (december 1959)," Masters of Modern Art "(1960)," Specialists in XXth Century Masters "(1965) etc. « Everywhere his work dominates » (…) « Within himself Yatrides has found the talent and inspiration necessary to present a full artistic world.  His artistic development presents one of the most Interesting stories in recent history painting. Fighting against a myriad of unfavourable circumstances; forced from his native France to Greece, from Greece to Belgium Congo from the Belgium Congo Back to France, from France to Mexico. Then, and finally back to France; during all thesis years, George Yatrides has never stopped Improving his work. His paintings enter in major Detroit collections, New York, Chicago and Montreal. Already in 1958, his works enter the preeminent collections in every major city in the US, Canada and Latin America. Its total production only exposed in Chicago during the six first months of 1959, more than half of his work, however, is acquired by foreign Collections. In recent collections include Mexico, France, England and Switzerland . The dominant factor which thus characterizes the art of Georges Yatrides is the painter's utter and pure individuality. The significance of Georges Yatridès is evident in this exhibition which is the most important showing of his works ever presented in Europe or America (...) At this point where some of the most touted artistic names of a few years ago are now falling in prestige, the position of Yatrides is strong and steadily growing stronger (...) Yatrides searches and finds within himself ever more varied and ever broadening artistic horizons »  Samuel-E. Johnson, Director International Galleries, Chicago, November 1959.

International Galleries Chicago   -Link-

"Contemporary French Masters" remarkable exhibition in April 1959,  Samuel-E. Johnson notably exhibited paintings by Pablo Picasso and Yatrides. Reviews and analyzes, called into question the value of painters including Picasso: « Since his First Exhibition in Paris with Vollard in 1901, Picasso has remained the most marked name in French art. His more recent work has shown disappointing decadence » International Galleries, Chicago, april1959. « Yatrides the youngest of our exhibitors. Surrounded by series of insignificant contemporaries whose name won very temporary renown  through worldwide publicity campaigns, Yatrides stands out as one of the few painters of his generation having sufficient artistic force and  talent to make him capable of achieving that level of permanent value and recognition accorder to the works of truly great artists » Samuel-E. Johnson

Jean-François Echegut   -Link-

Organizer passionate about all facets of pictorial art, he directed international meetings such as the international biennials of France - Canada - followed by the other particular Canada-France 1988 1987, bringing together 170 artists from 35 countries under the auspices of President Valery GISCARD D'ESTAING : 170 artists moved to Canada in a Boeing specially chartered by itself, accompanied by a maritime 30 m³ container containing more than 1000 original worksincluding those of COCTEAU, CHAGALL, MATISSE, BONNARD, KANDINSKY, LEGER, GOERG, A. LHOTE, PICASSO. When these biennials, that of 1987, and 1988-1991 and 1991-1993, YATRIDÈS is invited as"Main Master Guest" and "Great Master Guest" . " « Dear master (... ".') Your absence at this biennale in 1987 is regrettable, a special budget reserved for your reception as well as the transport of your paintings(...) ".(Jeff Echegut 20 octobre 1987) "(...) "I fervently hope that you can be with us at the next Biennale in 1988" (...)«...Encore once, collectors made a profound disappointment of not being able to meet you in this 1988 Biennale *» Jeff Echegut 11 novembre1988...«with the Presentation of the carried out special editions, two successive prestigious catalogs (1987-1989-1991 of 48 pages and in 1991-1993 of 72 pages)...Your vivid original artwork this light in space that their was reserved (...) your participation in various biennials would have resulted from the sale of your paintings at least those a-tempera otherwise those oil. Although you have sent that reproductions of your works, there were 34 purchasers to which it took us render received payments ** (...) ». (J.. Echegut October 05, 1994). Yatridès regrets not being able to attend the invitations from that for which it keeps a high esteem.

Artist of genius, a researcher who has succeeded in the synthesis of irreconcilable knowledge. What attracts irresistibly it is the form led to the Foundation of the essential, the infallible sound of colors... challenge between energy in motion and the serenity which the powerful light that has paradoxically none shadow (...) This Art to inaccessible mathematics (...) a mystical beyond rituals and dogmas (...) Yatridès reinvents a world where everything is dynamic force and spirituality (...). It marks the dawn of this third millennium, isolate it among the largest it will guide. A dimension cosmique.// Jean-François Echegut presiding ANLAM, Association National letters Arts Music. Member of the Union of the Arts Press, artist painter.

Mme Madeleine D. Tremblay   -Link-

Professor of art, Canadian organizer of arts in international Biennales in Canada, provides Jean-François Echegut devices required for the participation of the French delegation. « Dear Master,  Mrs. Tremblay (...) makes all the arrangements to welcome you  with the respect due to your rank (...) pleased and honored (...) Memorial draw one of your lithographs marking the opening of the Biennale scheduled for October 25 ». Jeff Echegut, 4 February 1988.

Diego Rivera    -Link-

Renowned Mexican painter. From the end of 1956, Yatrides lived several years in Mexico, where his father US businessman, had invited. He knew the mural painters David Alfaro Siqueiros in Cuernavaca, and Diego Rivera in Mexico City before his death in 1957, aged 70. These artists used painting created by chemists from the National Polytechnic Institute of Mexico, in collaboration with them, original acrylic painting, stable, able to withstand the rigors of atmospheric variables, in a city located at 2,240 meters. They celebrated the revolt of the Mexican people and realizing large frescoes on the walls of public buildings, particularly those dazzling created by Rivera. However we can not compare this technique, as has been suggested, with the pictorial material synthesis, Yatridès water paintings in which the design is a deep groove 2 mm, groove that is also found in its oils. It is thirteen years after the Mexican invention that the US Liquitex brand brings to market the formula developed in 1963 by Henry Levinson formula diluted with water, less sophisticated manufactured more easily and cost effectively. The same year, Warhol and Hockney use this formula sensitive to moisture, which produces in time a fungal infection that alter colors used.

Greg Juarez   -Link-

« Yatrides has stuck forcefully with the basic principals of Graphic art as developed and defined in the years 1948-52. It has been with a great natural talent and a very particular inspiration from his Greek background combined with his un-remitting persistence n delving into and developing the possibilities of the Graphic school that Yatrides today finds himself increasingly distinguished from his fellows' artists. The importance of Yatrides in the art world is evident alone from the fact that over 300 of his works are now in US private Collections ». Greg Juarez, Director of Juarez Gallery in Palm Beach, Florida USA.

Christophe Odin    

49 old, one of the web pioneers. In physical electronic engineer born in Lyon, co-founder of the Price Comparison site Kelkoo, sold to Yahoo! in 2004 for € 470 million. Financial and  entrepreneurial success after leaving the Grenoble start-ups. He chose to divide his time between strategic advice to Internet companies and investment, via Grenoble Angels in companies such as Made In Design Starzik or Drimki (...) But for him, success is not an end in itself, a goal in itself. He felt "the need to breathe, to no longer deal with a company to step back." This interlude only lasts a time with the man who has "the spirit of adventure". He meets a painter that had its heyday before the 2000s, Yatridès. This artist, a resident in Isère, in unclassifiable talent exhibited in galleries in Chicago, met with masters such as Dali, but has also worked at the CEA on light. He is a scientist at the origin of several international patents. At 82, he would now put his works on the market. Christophe Odin, the specialist engineer web, then finds a new career and becomes the agent, the commercial sponsor of this iconoclast. « I love his works, and mixing paints, optical montages and collages. With him I aim to perennially. A website has a short life. A work of art lasts much longer ».

Christophe Odin is working for the revival of the reputation of Yatrides the painter. For this, it activates its networks such as Entrepreneurship Network Isère where are 'heads of companies keen on art; But also, the beginning of large gap between previous lives of Christopher Odin and the new challenge. «The peak of the media coverage of Yatridès was before the internet era. I'm in the creation, I am the link between the past and the future.


Termination of contractual relations: Georges YATRIDES, by his registered mail with acknowledgment of receipt of May 30, 2018 addressed to Christophe ODIN and received May 31, terminates the contract designed and developed by Christophe ODIN, signed by his hand July 19, 2012. Since that date, faced with the unilateral decisions of Christophe ODIN, in formal contradiction with this contract, this decision of Georges YATRIDES to cease all contractual relations, according to article 10.1 of said contract. this decision takes effect on July 1, 2018.

Marquis de Masclary   -Link-

Director of the Galerie Charpentier Faubourg Saint-Honoré in Paris. An exhibition is offered to him in the spring of 1956. It was not money and do not ask Masclary who made him understand "that it was already a great privilege, an honor to be exposed in this temple of painting". It does not advance him any money. Without a word, Yatrides  takes his paintings and leaves this ” temple”;  with his friend Camille Jaubert that offers hospitality to him in his hotel "Laffon" rue Buffault, he seeks and find the "Vowels Gallery" directed by Lady  Chastenet of Gery immediately conquered by his work. He exhibits in this gallery although modest appearance,  will attract the best Parisian critics  "Bethancourt", "Chabanon", "Pierre Mornand",  "Helios Ilo Trabujo", "Anton Urrutia",  an important collector who himself alert Samuel-E. Johnson  prominent Merchant Art Dealer, Director of International Galleries, Chicago.

Raymond Nacenta   -Link-

Co-director of the Galerie Charpentier.

Bruno Roche   -Link-

Fervent admirer of the work by Yatrides, he realizes in North America 5  sites  :  "Yatrides Art", "Great Semioticians", "Great Historians", "Great Film Directors", "Great Contemporary Painter" and  "Great Contemporary Master". Bruno ROCHE had understood what Yatridès expressed when he said humbly that he was "the tool of his creations". The great contemporary artist Georges Yatrides who principals of the French Establishment tried unsucessfully to unseat is still alive and creating ! Bruno ROCHE, authorized North America publisher

In 1950 YATRIDES abandons the school called Abstract. He left, knowing that this will lead to infantilism. He introduced the modern man in a pictorial universe without referring the known world, the definition of the abstract. This without using science fiction and surrealism. It is the only one who can do it. Knowingly concealing significant sales of his works by the French establishment and occultation events that characterize the value of its existence, both artistically and science devalued by too many rewards ; This disinformation, misinformation, why ? Perhaps to maintain, confusion at all levels, in all genres, so that shallowness of silliness  becomes profitable. This shows the agony of a civilization, that materialism has become his only religion ; civilization whose effervescence brings violent spasms : violence, one of the gods of materialism